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The Who Font: A Unique Display Typeface for Editorial Projects
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The Who Font: A Unique Display Typeface for Editorial Projects

There’s something about the right font that can transform a design from ordinary to unforgettable. I was recently working on a redesign for a lifestyle blog, and as I sifted through font options, one stood out—The Who. It wasn’t just another display font; it had a distinct character that felt both eerie and inviting. This sketchy, creepy, and unique typeface brought an unexpected energy to the layout, making it perfect for a project with a thematic edge.

A Visual Character with Personality

The Who is a display font that leans into its unconventional roots. Its jagged edges, uneven strokes, and slightly distorted forms give it a sense of unease that feels intentional. It doesn’t scream for attention in a loud way—it whispers it, drawing the eye with a subtle tension. This makes it especially effective for editorial projects that aim to evoke mood or tell a story with visual language.

I tested The Who on a blog header for a Halloween-themed lifestyle blog. The contrast between the unsettling font and the warm, autumnal color palette created a compelling visual balance. Readers were immediately drawn to the title, which set the tone for the content ahead.

Editorial Use and Readability Considerations

While The Who is not a font meant for long-form reading, it shines in specific editorial roles. It works beautifully for titles, pull quotes, chapter openers, and decorative accents. In a digital magazine layout I worked on, using The Who for feature headlines added a layer of intrigue that kept readers scrolling.

However, it's important to note that this font is best suited for short bursts of text. For body copy, small captions, or dense paragraphs, it would be too expressive and could hinder readability. Pairing it with a clean sans serif or serif font for body text ensures that the design remains functional and reader-friendly.

Practical Applications in Real Projects

In a coaching workbook I helped design, The Who was used for section headings and motivational pull quotes. It gave the content a bold, almost rebellious feel that aligned well with the brand’s personality. Similarly, in a printable planner, the font was used sparingly for event titles and reminders, adding a touch of whimsy without overwhelming the layout.

For a wedding guide, The Who was a surprise hit. Used for the “Unexpected” section of the publication, it created a playful contrast against the romantic imagery. It wasn’t overused, but when it appeared, it made an impact.

Font Pairing and Design Consistency

One of the most critical aspects of using a display font like The Who is ensuring it complements the rest of the design. When I paired it with a modern sans serif font for body text, the contrast was striking yet balanced. It allowed the design to maintain consistency while still standing out.

It’s also essential to check what styles are included with the font. Does it have alternates, ligatures, or weights? These features can enhance the typography in subtle ways, especially when creating logos, branding materials, or promotional graphics.

For those planning to use The Who in commercial projects—like ebooks, templates, or paid newsletters—ensuring the font has proper licensing is crucial. Always verify the file formats available (such as OTF or TTF) and confirm whether multilingual support is included if needed.

Final Notes on Mood and Brand Identity

The Who isn’t just a font; it’s a statement. Whether you're designing a horror-themed newsletter, a dark fantasy ebook, or a themed blog, this display font adds an element of mystery and uniqueness that few others can match. It supports a strong editorial identity by reinforcing the mood of the content it accompanies.

As with any design asset, context matters. Use The Who thoughtfully, and it will elevate your layouts. Avoid overusing it, and always consider how it fits within the broader design system. When done right, it becomes more than a typographic choice—it becomes part of the storytelling itself.

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